I have been fascinated by the play of light and shadow within dreams. The tactile and the illusive. Playing and adding some movement.

I have been fascinated by the play of light and shadow within dreams. The tactile and the illusive. Playing and adding some movement.
Some new works are appearing as I keep working. I made one commitment: keep working.
The idea is to get up every day, start again and just keep going – whether inspiration strikes or not.
For a very long time I avoided having anything to do with the topic of Creativity or even Art. This seems strange as I am an artist and have been doing art for so long. The reason – I suspect- may be because I was rebelling a little. After having Art and Creativity as the focus in my life since the age of two (when I started my formal art education) and then going on to studying it for 4 years at University: twenty years had added up and I think I was tired of the subject. And I felt somewhat disillusioned. I felt like I hadn’t gained what I expected to gain from all the academics. I was lost. How do I carry on on my own?
What I hadn’t really ever been taught was the practice itself. The ‘how to’ of being an artist.I found a roundabout way back to my practice. By reading books on Mindfulness, mindset, Minimalism and a myriad of other – seemingly unrelated – topics like Physics, Evolution and parenting. Yet all of this information and self help seems to show a pattern – at least to my pattern seeking mind- everything in incremental. We need to keep building one brick at a time and eventually we have our dwelling. So obvious. But it has taken me a decade since studying to understand this.
Last year I read the book Daily Rituals: How Artists Work by Mason Currey. This was the first time, since studying, that I had read a book about Art. I think what attracted me was that it is not theoretical or philosophical. It is just describing the rituals and routines of some of the most creative people in history. It is not telling me why or who I should be but showing me how others do it.
This book had an amazing impact. These people had such ordinary, sometimes simple and even, from the outside, boring lives of repetition.
I realized that my need for routine was actually the right route to take. I seemed to have been sold the idea that my life needed to be filled with all these other whimsical things to make it exciting to bring out my creativity. Yet all I wanted to do was sit and work and drink tea. I wanted a boring routine with space and quiet and time.
This book showed me that this instinct I had was not just some silly desire but that it was and is absolutely essential for a creative life. Just as it is for my four year old – some wisdom from the parenting books! I had to develop a routine. This is the basis for creating and sustaining this reality I longed to pursue.
I now view my art as a practice. It is something I do regardless of whether I feel like it or not, regardless of the perceived success or failure I am experiencing and regardless of the amount of inspiration I feel.
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Now I am also adding my blog to my routine. (I have changed it a little – you may have noticed!). After quite a long silence, I feel the need to share some of my thoughts and processes. I hope that they might be of some relevance to you. Either way: you are welcome on this journey.
It is so much fun to make these little characters. Here is another new ‘pocket mermaid brooch’ creation. Her tail is made from (a tiny bit of) repurposed cotton sheeting. Her body is made of soft cotton. Her hair is bamboo and organic cotton yarn. I quite like the neutral and natural colours!
What do you think?
If you are interested: please visit my Etsy shop for more dolls 🙂
This is my new doll called Fumble. I have just added the little creature to my Etsy shop. Have a look! 🙂
I just couldn’t resist and made this little guy today. This pixie is made from a tiny bit of an old ‘polarbear’ babygrow. So a bit of repurposing. And it is only 6cm tall. 🙂
Also featured in my Etsy store.
I have added my little mermaid brooches to my Etsy store.
Here are some in-the-process pics. For some more final results check out my Etsy shop!
This has been a slight conundrum: How can one marry the philosophy of Minimalism with the chaos (and heaps of junk) that have always, for me, defined what a creative space is and what an artist needs? Isn’t this creative freedom?
Recently, however, being influenced by my mindfulness practice and even my daughter’s Montessori education, this dilemma seems like less of a problem. Things are not as they seem. In fact, we may have been tricked or confused by society into thinking that artists are certain types of bohemian, care-free, muddled, cluttered people. Yet, this may not be true. Or at least not the whole story. (How could you be care-free when you are weighed down?)
The Montessori method of education teaches children to work on one thing at a time. It teaches them to focus and to finish problems and then move on. There is structure. A lot of structure, yet, this structure is precisely what gives them freedom. They choose freely what they want to work on, yet they are encouraged to stay focussed without interruption. They work within a prepared environment. Everything has its place. You work on a project and put it away before starting the next one. It is a fascinating way of viewing education and life. Our little three year old is thriving.
In other words: it encourages Mihaly Csikszentmihalyi‘s concept of Flow. This is definitely something I experience when creating artworks or dolls or any kind of handwork. Everybody experiences this state of being completely focussed, alert, motivated and losing one’s sense of self and time in a task or experience. This could be anything from a sport to reading or solving mathematical equations.
What Mindfulness and the Montessori method have taught me (unlike all the years of ‘traditional schooling’) is how to focus and create a mindset and space which encourages flow. When you have a clear, structured space and mindset that sense of freedom and creativity are easier to achieve. A fascinating read is Daily Rituals: How Artists Work written by Mason Currey. This book was such an eye opener to me. Most creative people do have structure in their daily lives. They thrive on it.
What Minimalism is starting to create for me is a space to be more creative in. A space that is clearer. Not one with the blank canvas/ blank page effect but one in which I have exactly what I need to do the task at hand. No clutter. Just enough. I have found that when I limit my palette I am much more engaged. Suddenly you have to be much more creative because you need to use what you have in new and interesting ways. So: All the ‘just incase’ or ‘this could become a…’ objects need to be removed from my space.
I have to be honest here: I have not started working on my studio yet. It has taken me some time to come to this realisation. I have been afraid of it. But I have started sorting through my crafting things. The upcycling and repurposing movement is very inspirational. I plan to only use what I have to create my dolls. Until I run out of essentials. Anything I do not use needs to move on and everything else needs to be used up. Sometimes you need a box before you can think out of it.
Another aspect to this is that I feel guilty because some potential projects are never touched and I keep moving with boxes of junk that could become works of art. This is also a way of purging that heavy guilt. Work on one thing at a time, no guilt involved.
So this coming week will mean starting a very big mission of minimising and simplifying my creative spaces, preparing my environment and hopefully freeing myself. Let’s see how it goes 😉
|My art is here: StateoftheART Gallery and here: Jodi Hugo. Fine Art – for those interested|
I have to say that I am very excited that my Moomin doll has been featured in this wonderful blog: Where Writers Come to Write .
It is my first feature – that I am aware of – and it is a great compliment.
Also found in my Etsy shop 🙂