Practicing Art

Practicing Art

Some new works are appearing as I keep working. I made one commitment: keep working.

The idea is to get up every day, start again and just keep going – whether inspiration strikes or not.

For a very long time I avoided having anything to do with the topic of Creativity or even Art. This seems strange as I am an artist and have been doing art for so long. The reason – I suspect- may be because I was rebelling a little. After having Art and Creativity as the focus in my life since the age of two (when I started my formal art education) and then going on to studying it for 4 years at University: twenty years had added up and I think I was tired of the subject. And I felt somewhat disillusioned. I felt like I hadn’t gained what I expected to gain from all the academics. I was lost. How do I carry on on my own?

What I hadn’t really ever been taught was the practice itself. The ‘how to’ of being an artist.I found a roundabout way back to my practice. By reading books on Mindfulness, mindset, Minimalism and a myriad of other – seemingly unrelated – topics like Physics, Evolution and parenting. Yet all of this information and self help seems to show a pattern – at least to my pattern seeking mind- everything in incremental. We need to keep building one brick at a time and eventually we have our dwelling. So obvious. But it has taken me a decade since studying to understand this.

Last year I read the book Daily Rituals: How Artists Work by Mason Currey. This was the first time, since studying, that I had read a book about Art. I think what attracted me was that it is not theoretical or philosophical. It is just describing the rituals and routines of some of the most creative people in history. It is not telling me why or who I should be but showing me how others do it.

This book had an amazing impact. These people had such ordinary, sometimes simple and even, from the outside, boring lives of repetition.

I realized that my need for routine was actually the right route to take. I seemed to have been sold the idea that my life needed to be filled with all these other whimsical things to make it exciting to bring out my creativity. Yet all I wanted to do was sit and work and drink tea. I wanted a boring routine with space and quiet and time.

This book showed me that this instinct I had was not just some silly desire but that it was and is absolutely essential for a creative life. Just as it is for my four year old – some wisdom from the parenting books! I had to develop a routine. This is the basis for creating and sustaining this reality I longed to pursue.

I now view my art as a practice. It is something I do regardless of whether I  feel like it or not, regardless of the perceived success or failure I am experiencing and regardless of the amount of inspiration I feel.

Now I am also adding my blog to my routine. (I have changed it a little – you may have noticed!). After quite a long silence, I feel the need to share some of my thoughts and processes. I hope that they might be of some relevance to you. Either way: you are welcome on this journey.

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3 ways to be a more productive artist

3 ways to be a more productive artist
"This work is about reaching out. Being vulnerable. It is about a connection and letting someone in."
“This work is about reaching out. Being vulnerable. It is about a connection and letting someone in.”
I have been very productive lately. This also means that I haven’t been blogging. I haven’t been doing much besides painting.
Productivity has always been quite a challenge for me. It has taken many years to figure out all the barriers. First I needed to understand what was holding me back from doing the one thing I have always felt was my calling. Why couldn’t I paint when that was all I was thinking about?
I seem to have come across 3 key productivity boosters for myself and hopefully some other people.
1. Be your own best boss. 
This may seem obvious but it took me a really long time to understand that when you are self-employed you are your own boss. You are not bossless. What helped me was understanding what kind of boss I would like to work for. I read an article on how to manage my personality type at work. At first I thought: “so glad I am not a manager or an employee! Whew!” Suddenly it all made sense. I was a manager and an employee. And I was being the worst boss possible to and for my personality type (INFP).  I was critically breaking down every single thought or attempt I made to create. This was a bad boss – especially for someone like me! This obviously creates a spiral where I would become a worse employee and in turn be a meaner boss. If I had to be anybody else’s boss I would never dream of treating them this way- it is quite unnatural for me to be mean. So I changed my style of managing myself. And voila! I have become a really good employee. I would really recommend finding out how your personality type might influence how you would be best managed.
2. Block off work time without interruptions. 
I have managed to put aside a few hours every day where I can work without being interrupted. I need to be completely isolated to be affective.
Even if I feel uninspired I will, at least, sit in my studio. Just being there often gets me working.
3. Have other people handle the the things that you are not good at. 
I realised a while back that one of the biggest stumble points for me was trying to do all the different tasks of running my own business. All I really want to do is create things. All the other aspects like selling art, marketing, admin and dealing with people were strangling me so much that I couldn’t make art. They were big stressors that left me paralysed. And then I joined a gallery – Which in itself was a challenge for me – and it changed everything. Now, except for the occasional commission, I only make art.
And that is all I ever wanted.
Back to the studio 😉
This work was inspired by a line from a Tori Amos song 'Take to the sky'. Sometimes we need to do things without apology and live without fear.
This work was inspired by a line from a Tori Amos song ‘Take to the sky’. Sometimes we need to do things without apology and live without fear.
you can see more of my work at State of the Art Gallery

Mermaid Brooch Fun

Mermaid Brooch Fun

It is so much fun to make these little characters. Here is another new ‘pocket mermaid brooch’ creation. Her tail is made from (a tiny bit of) repurposed cotton sheeting. Her body is made of soft cotton. Her hair is bamboo and organic cotton yarn. I quite like the neutral and natural colours!

What do you think?

Mermaid doll brooch

Mermaid doll brooch
completely hand stitched
mermaid brooch
unique and sweet

If you are interested: please visit my Etsy shop for more dolls 🙂

Polar Pixie Brooch

Polar Pixie Brooch

I just couldn’t resist and made this little guy today. This pixie is made from a tiny bit of an old ‘polarbear’ babygrow. So a bit of repurposing. And it is only 6cm tall. 🙂

Cute little Polar Pixie with my daughter's flower drawing.
Cute little Polar Pixie with my daughter’s flower drawing.
"He's so fluffy!"
“He’s so fluffy!”

Also featured in my Etsy store.

Minimalism vs. Art and Crafting

The creative clutter has taken over
The creative clutter has taken over

This has been a slight conundrum: How can one marry the philosophy of Minimalism with the chaos (and heaps of junk) that have always, for me, defined what a creative space is and what an artist needs? Isn’t this creative freedom?

Recently, however, being influenced by my mindfulness practice and even my daughter’s Montessori education, this dilemma seems like less of a problem. Things are not as they seem.  In fact, we may have been tricked or confused by society into thinking that artists are certain types of bohemian, care-free, muddled, cluttered people.  Yet, this may not be true. Or at least not the whole story. (How could you be care-free when you are weighed down?)

The Montessori method of education teaches children to work on one thing at a time. It teaches them to focus and to finish problems and then move on. There is structure. A lot of structure, yet, this structure is precisely what gives them freedom. They choose freely what they want to work on, yet they are encouraged to stay focussed without interruption. They work within a prepared environment. Everything has its place. You work on a project and put it away before starting the next one. It is a fascinating way of viewing education and life. Our little three year old is thriving.

In other words: it encourages Mihaly Csikszentmihalyi‘s concept of FlowThis is definitely something I experience when creating artworks or dolls or any kind of handwork. Everybody experiences this state of being completely focussed, alert, motivated and losing one’s sense of self and time in a task or experience. This could be anything from a sport to reading or solving mathematical equations.

What Mindfulness and the Montessori method have taught me (unlike all the years of ‘traditional schooling’) is how to focus and create a mindset and space which encourages flow. When you have a clear, structured space and mindset that sense of freedom and creativity are easier to achieve. A fascinating read is Daily Rituals: How Artists Work written by Mason Currey. This book was such an eye opener to me. Most creative people do have structure in their daily lives. They thrive on it.

What Minimalism is starting to create for me is a space to be more creative in. A space that is clearer. Not one with the blank canvas/ blank page effect but one in which I have exactly what I need to do the task at hand. No clutter. Just enough. I have found that when I limit my palette I am much more engaged. Suddenly you have to be much more creative because you need to use what you have in new and interesting ways. So: All the ‘just incase’ or ‘this could become a…’ objects need to be removed from my space.

I have to be honest here: I have not started working on my studio yet. It has taken me some time to come to this realisation. I have been afraid of it. But I have started sorting through my crafting things. The upcycling and repurposing movement is very inspirational. I plan to only use what I have to create my dolls. Until I run out of essentials. Anything I do not use needs to move on and everything else needs to be used up. Sometimes you need a box before you can think out of it.

Another aspect to this is that I feel guilty because some potential projects are never touched and I keep moving with boxes of junk that could become works of art. This is also a way of purging that heavy guilt. Work on one thing at a time, no guilt involved.

So this coming week will mean starting a very big mission of minimising and simplifying my creative spaces, preparing my environment and hopefully freeing myself.  Let’s see how it goes 😉

|My art is here: StateoftheART Gallery  and here: Jodi Hugo. Fine Art – for those interested|